Tapestry Weaving

Summer of Tapestry free mini-course

Summer of Tapestry free mini-course

Every year I run a class I call Summer of Tapestry. It revolves around a practice I’ve had for many years now of bringing a small loom with me when I’m hiking or traveling and weaving something about what I experienced or saw. I often call the practice sketch tapestry because my goal is to capture something interesting about the experience, not to replicate whatever it was necessarily in any realistic way.

I find that the practice of really looking at something and then weaving about it makes me pay attention instead of just rushing blindly through life. The inspirations I’ve woven something about are things that I remember months and years later.

I’ve linked many of these sorts of tapestries on my blog over the years and you can find some of these stories under the tapestry diary category. The concept is simple. It is a way of paying attention to something in my experience that caught my eye or had some sort of meaning. Making a tiny piece of art about it allows me more time to sink into the experience and I find that I remember the things I wove about clearly in the future.

Wedge Weave fun

Wedge Weave fun

The sixth Tapestry Discovery Box opens April 15, 2024 and it is all about wedge weave. I’ve admired contemporary wedge weavers for a long time. It has become a popular technique and I often see wedge weaves in art shows.

The technique is an eccentric tapestry weaving technique and in that sense it has been used all over the world for as long as weaving has existed. The use of wedge weave where the technique patterns a whole textile, however, is most often seen in Diné (Navajo) weaving. It was a popular style from 1870-1900 when it disappeared from use for a century or more. It is said that tourists didn’t like the scalloped edges this weaving technique creates and the weavers stopped making them around 1900.

Troubleshooting, Part 2

Troubleshooting, Part 2

I started putting together a list of resources from my past blog posts and newsletters of the things that I see give tapestry weavers the most trouble. I wrote the first blog post about this February 22, 2024 and realized there was at least one more blog post worth of things high on the list of most-frustrating.

In the February 22 post I covered these things:

  • weft tension

  • choosing yarn

  • getting the last warp tight on a continuous warp

  • design and getting the effects you want

Let’s add a few more to the list.

"What do I do when it won't weave?!" How to fix your sheds in tapestry weaving

"What do I do when it won't weave?!" How to fix your sheds in tapestry weaving

How many times as a newer tapestry weaver have you felt frustrated because you’re weaving along and suddenly your wefts are in the wrong shed?*

Wait, what is a shed anyway?

How many of us who have been weaving tapestry a long time remember those days when every time we added or subtracted a weft in our design our sheds were wrong? Or we are trying to fill in a dip between two forms or add a new color into a pattern and there were either lice or the wefts just wouldn’t go where we wanted them to go?

The biggest leap I ever took

The biggest leap I ever took

Ten years ago I left my job as an occupational therapist to be a full time artist and fiber art teacher. In that moment I didn’t know I wouldn’t return to healthcare. All I knew was that the job I thought was my perfect forever-job (pediatric outpatient OT), was ruled by a boss and a system I couldn’t stomach any more. I had only been at that job a year though it was my 17th year working as an OT.

Spinning for tapestry weaving: Moreno and Mezoff

Spinning for tapestry weaving: Moreno and Mezoff

Moreno and Mezoff. I think we might be a force to be reckoned with!

Jillian Moreno is so many things, but one of her outstanding skills is her teaching ability. She is an author, editor, creative, and someone who makes things happen. She wrote Yarnitecture but did you know she also wrote two books about knitting before that? She has so many tricks up her sleeve for helping newer spinners make the yarns they want to make.

This week we experienced that magic at a retreat she and I taught together in Taos, NM which we called Spinning for Tapestry. We played with different breeds, ways of spinning and plying, and color as we made some excellent and not so excellent tapestry yarns.

The participants came from all over the US and Canada and we greatly enjoyed our time at Mabel Dodge Luhan House. I’m quite sure we all went home a few pounds heavier and happier from the marvelous food.